Rhythm In Composition

Coney Island has been a favorite subject of mine. There are a number of reasons, I have an attachment to the place having spent many summer days at the beach and from a visual context I really like the compositional elements it holds.

In "Big Bad Beach Umbrella" I enjoyed creating a visual rhythm, the rollercoaster offered and opportunity to lead the eye to the figurative elements in the painting at key intervals while also playing the vertical supports of the structure against the verticals of the boardwalk railing and concrete boardwalk supports.

I also liked confining the strong color notes within the narrow band of the elements on the boardwalk. With the exception of the cadmium green of the beach umbrella I repeated the other colors of the umbrella in key places in the pictorial space.

This painting measures 12" X 16" and is available for purchase through my studio, Casale Fine Art. Price on Request. Visit www.casalefineart.com for contact info

The Arts of David Levine

The Figure as Focal Point

I'm drawn to the figure. The inclusion of a figure in a landscape or cityscape adds an instant sense of narrative to the image. As viewers we project our own interpretation on a painting containing a figurative element based on our own experiences, it is part of human nature, there is an automatic affinity.

The inclusion of a figurative element is just the beginning, the choices we make in the painting will either unify or isolate the figure from the setting. Sometimes we may want one or the other.

I've posted a few paintings that use the figure as an element in different ways.

In the painting of Campo dei Fiore in Rome the cityscape is the subject, the statue and architecture set the mood, the inclusion on one central figure looking towards the viewer is meant to draw the viewer in and place us in the cityscape as a participant in the scene.

The painting of the violinist in Venice has one figure which is clearly the focal point and subject with the other elements there to support the image, add to the narrative and serve as compositional elements.

The Asbury Park New Jersey painting emphasizes both the architecture and figure in equal proportions. The arch frames the figure and the one point perspective and surface quality of the structure make it an equal player in the content of the painting.